In the morning X and Y are walking towards each other in a park. When they meet, Y's shadow falls upon X. In which direction was X facing?

If the length of the shadow of a vertical pole on the horizontal ground is √3 times its height, then the angle of elevation

In the morning, X and Y walk towards each other in a park. When they meet, Y's shadow falls towards the left side of X. In which direction was X facing?

The shadow of a tower on ground level is increased by 30 m, when the angle of depression by the sun changes from 60 deg to 30 deg. The height of the tower is

In the morning, X and Y walk towards each other in a park. When they meet, Y's shadow falls towards the right side of X. In which direction was X facing?

In the following question the 1st and the last part of the sentence/passage are numbered 1 and 6. The rest of the sentence/ passage is split into four parts and named P, Q, R and S. These four parts are not given in their proper order. Read the sentence/passage and find out which of the four combinations is correct.

1. It is now five in the evening.
P. And so it will bear away another child.
Q. Soon it will be six and it will be time.
R. I have to unveil the truth; I have to end the injustices committed by the shadow.
S. The shadow will then come in darkness.
6. The shadow must be defeated.

If the angle of elevation of the sun decreases from 45° to 30°, then the length of the shadow of a pillar increases by 60m. The height of the pillar is

Read the passage carefully and choose the best answer to each question out of the four alternatives.

Many plays and films have depicted the life story of Gautama Buddha, but what made the musical play The Way Across unique was its regional focus. Directed by G. Kumara Swamy, the play adapted from the book Telangana lo Buddhism focused on the enlightenment of a cursed Brahmin Bawari and his 16 curious disciples willing to understand the deeper truths of birth, death, rebirth and brotherhood.

From the impressive use of projector visuals, music and shadow-play, there was every effort to lend authenticity to the theme. Despite the play's focus on Telangana, the native essence was compromised, due to the English rendition (done for a wider reach). The lines appeared jaded with literal translations. The honest performances from the crew impacted only on a surface-level. Kiran Kumar's Bawari act and Krishna Chaitanya Joshi as Pingiya (said to have propagated Buddhism from Telangana to several regions across South India) grab your attention.

Who directed the play, 'The Way Across'?