Questions

Read the passage carefully and choose the best answer to each question out of the four alternatives.

Manja, or the glass-coated string used for flying kites, not only poses threat to humans, animals and birds but also to trees. A study by the country's oldest botanical garden has revealed that it poses a great threat to trees. But how can a snapped string struck in a tree kill the tree? Apparently, it does so by allying with the creepers in the garden.

A research paper by three scientists of the Acharya Jagdish Chandra Bose Indian Botanic Garden, located in West Bengal's Howrah district, illustrates in detail how the manja, in collusion with climbers, does the damage. "The abandoned, torn kite strings act as an excellent primary supporting platform for the tender climbers, giving easy passage to reach the top of the trees. Lateral branches from the top of the climber and other accessory branches from the ground reaches the top taking support of the first climber, completely covers the treetop, thus inhibiting the penetration of sunlight," says the research paper.

What gives easy passage to 'climbers' to top of the trees?

Read the passage carefully and choose the best answer to each question out of the four alternatives.

It is a labour of love and the result of painstaking research. Chikankari - A Lucknawi Tradition by Paola Manfredi, an Italian, is a book that shows her close and long association with the craft. Lucknow’s chikankari is known across the world yet very little research or documentation has been done. Articles or features have appeared off and on but this book is amongst the first of its kind, which aims to document the vast treasure called Chikan. What makes the book extremely interesting is that unlike other books that tend to rely on second hand material, with exhaustive references and quotes, Paola Manfredi has filled her tome with passionate grass-roots level research. The narrative more in the nature of a personal journey, with all the quirks and street-smart practicality, makes the book refreshing. As Paola says in the book, it is not a scholarly or academic research but more of a documentation of the world of chikankari.

Paola questions the use of chikan as a word for embroidery, highlighting that it has a broader connotation encompassing haute couture, the fine art of making a garment, embroidering it and finishing it with finesse. She is no stranger to chikankari having worked with SEWA and several craftsmen. Her love for white on white embroidery also found a calling in chikan. Paola came to India to work in textile exports and as she says, “If you like textiles ... India is a heaven, an inexhaustible treasure trove.”

Why did Paola come to India?

Rearrange the parts of the sentence in correct order.

However the major drawback

P-­of this process is that
Q­-there is no legally binding
R­-outcome at the end of six years

Rearrange the parts of the sentence in correct order.

Logocentrism is the search for a

P : rational language that is able to

Q : all its aspects perfectly and accurately

R : know and represent the world and

Choose the word which is nearly opposite in meaning to the given word:-

Sceptic

Choose the word which is nearest in meaning to the given word:-

Penchant

Rearrange the parts of the sentence in correct order.

P: In order to bridge this generation gap, elders should adopt a more sympathetic approach towards the young, and try to understand the emotions, the aspirations and the problems of the young.
Q: They should, therefore, value the advice and counsel of the elders.
R: The generation gap has widened to such an extent that the old and the young people appear to be living in two separate worlds without any interaction.
S: The youth should realize that they have no experience of life.

Read the passage carefully and choose the best answer to each question out of the four alternatives.

It is a labour of love and the result of painstaking research. Chikankari - A Lucknawi Tradition by Paola Manfredi, an Italian, is a book that shows her close and long association with the craft. Lucknow’s chikankari is known across the world yet very little research or documentation has been done. Articles or features have appeared off and on but this book is amongst the first of its kind, which aims to document the vast treasure called Chikan. What makes the book extremely interesting is that unlike other books that tend to rely on second hand material, with exhaustive references and quotes, Paola Manfredi has filled her tome with passionate grass-roots level research. The narrative more in the nature of a personal journey, with all the quirks and street-smart practicality, makes the book refreshing. As Paola says in the book, it is not a scholarly or academic research but more of a documentation of the world of chikankari.

Paola questions the use of chikan as a word for embroidery, highlighting that it has a broader connotation encompassing haute couture, the fine art of making a garment, embroidering it and finishing it with finesse. She is no stranger to chikankari having worked with SEWA and several craftsmen. Her love for white on white embroidery also found a calling in chikan. Paola came to India to work in textile exports and as she says, “If you like textiles ... India is a heaven, an inexhaustible treasure trove.”

What makes the book, ‘Chikankari - A Lucknawi Tradition’ interesting?